$78.00 each

•  Excel kilns are precision manufactured with only top quality components to assure years of service. They include many standard features that are extra on other round kilns. 
•  -High quality Kanthal A-1 elements
  -Stainless steel jackets of superior strength allow for further kiln expansion during firing
  -Select Fire™ computer control for easy operation
  -Corrosion resistant lug connectors that require only a screwdriver to replace elements
  -Steel stand with no-mar rubber feet
  -7-foot power cord with NEMA plug (except EX-1099SF which is direct wire)
  -Two-year warrant 

 Plasti-Bat was designed by studio potters to be a versatile, long-lasting, high-quality bat that is virtually indestructible! Made of 1/4" to 3/8" thick, very rigid, high impact plastic, they will provide continuous use, will not splinter, delaminate, swell or shrink. They are easy to clean and are impervious to water and most chemicals. 

• Each wheel is built with materials, components and workmanship designed to take the punishment of classroom and studio use over the long haul. Models range from the tabletop ie-t to the heavy-duty CXC with its 1 1/2 hp motor that can center over 100 lbs. of clay. Amaco® and Brent® potter's wheels accomodate the needs of the potter and small or large ceramic art departments. A wide range of quality accessories, including handextruders, bats, and bat mobile carts are also available.
• -Made in America
  -10 Year Warranty
  -Easy-to-Clean Removable Splash Pans

 The Giffin Grip fits most potter’s wheels on the market including: Shimpo, Brent, Speedball, Skutt, and many more. Any potter’s wheel with a removable splash pan, or sufficient side clearance to mount a 16” (42cm) diameter round plate on top can accommodate a Giffin Grip. The Giffin Grip can be adapted to wheelheads from 8.5” to 14” in diameter. After a simple, one-time adjustment, the Giffin Grip quickly snaps on and off your wheel. 

 A thermocouple senses temperatures inside the kiln which are displayed when connected to a pyrometer. 

When Michael visited potters in Japan he observed that it was common for them to pull, rather than push, their carving tools through the clay. The dragging motion allowed for less friction and a fluid cut. For years Michael made a variety of Japanese-style carving tools for his own use and he’s spent A LOT of time carving on clay.

Made of high carbon steel and tempered to be very hard, the Dragtool is designed to grace the hand and make a fluted mark in the clay. One end cuts a wider flute than the other. Whether you draw a long fluted line or chip away at the clay, the texture looks beautiful under a celadon or any glaze that breaks on the surface. * https://mudtools.com/